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The Faceless Ones: A Forgotten Project, A Lunar Punk Resurrection

The Faceless Ones: A Forgotten Project, A Lunar Punk Resurrection
Feature image: Fragment of Disabled Artists Manifesto from The Hollow Circuit archive by Awen Null

Recovered Fragment // Transcribed from beneath the city // Authored by the Unnamed // Disabled Artists of the Circuit

The Faceless Ones: A Forgotten Project, A Lunar Punk Resurrection

Long before the world burned blue with screens — before data replaced dignity, before pain had to be proved to be believed — there was a boy.

A boy of Ancient Greek descent, silent as myth, sculpting masks beneath constellations that had not yet been named. His hands, bruised by time and ochre-stained with moonlight, shaped faceless beings from stone and silence. His only law: that art should never be owned, never be known.

He etched this belief into the bones of the Earth, and the faceless ones wandered — unseen, but not gone.

Until now.

In a city pulsing with surveillance, where lights hum louder than conscience and invisible systems weigh the worth of a body by its compliance, something stirs. Two figures move through corridors of neon and shadow. One limps from pain denied, the other carries the slow scars of battles never recognised.

They do not ask to be seen. They remember ink, not forms. Creation, not claims. They are the ghosts of stolen futures — artists stripped of support, repackaged as burdens, then told to disappear quietly.

But they do not vanish.

They withdraw — not from life, but from the machine that feeds on it. They descend into the Undershadow, the streets that do not exist on official maps. Here, beneath flickering panels and whispering roots, they find the remnants of an older truth.

In a workshop lit by wax and defiance, The Art of Faceless is reborn.

No names. No metrics. No approval.

They etch into broken glass and damp stone, print with rusted presses and aching limbs. Their signatures are wind-worn and vanishing. Their distribution network? The forgotten. The unscanned. The marginal. The free.

Flyers appear — not marketed, not tracked. Etchings, tucked into library books no algorithm catalogs. A message appears on a crumbling wall, written in the language of resistance:

"ART SHOULD HAVE NO FACE."

People find these fragments. They do not know who made them — only that they were meant to be found.

In a world that demands visibility on its terms, the faceless ones choose another path. They multiply not in spectacle, but in silence. Not in fame, but in fire.

Some say they never existed. Others whisper that they were born from the soil of old revolutions and newer betrayals.

But we remember the boy under the uncharted stars. We remember what they took from us. And we remember that even now — even here — not everything can be bought.

The faceless ones return.

And they do not ask for permission.

// If you are reading this, you are part of it.